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Chamber and committees

Education, Lifelong Learning and Culture Committee

Meeting date: Wednesday, February 9, 2011


Contents


Broadcasting in Scotland

The Convener (Karen Whitefield)

Good morning. I open the fifth meeting in 2011 of the Education, Lifelong Learning and Culture Committee. I remind all those present that mobile phones and all other electronic devices should be switched off for the duration of this morning’s meeting. No apologies have been received, but I understand that Margaret Smith hopes to join the committee at approximately 10.30.

The first item on the committee’s agenda is to take evidence from Blair Jenkins on the Scottish digital network panel’s recent report and recommendations to the Scottish Government. Mr Jenkins, who is well known to the committee, was the chair of the panel and, earlier in the session, the chair of the Scottish Broadcasting Commission. I am pleased to be able to welcome him back to the committee and invite him to make an opening statement.

Blair Jenkins (Scottish Digital Network Panel)

It is a great pleasure to talk to the committee again. I will make just a couple of brief remarks, as I am sure that there will be many questions.

I acknowledge how important the degree of focus and attention that the committee has been able to bring to bear on broadcasting issues in recent years has been to broadcasting in Scotland. The attention and support that the wider Parliament has given to the issues has also been a vital part of the debate. I am keen to see that continue and am happy to be here today.

Although I am here to talk about the work of the Scottish digital network panel in relation to how we establish and fund the Scottish digital network, I am happy to cover any aspect of broadcasting about which members want to ask. If members want to raise issues that are not directly linked to my recent work, I am happy to talk about them.

There is one issue that I want to mention in my brief opening remarks, just in case it does not come up in questions. I am asked a lot of questions about the Scottish digital network, but one issue that is not discussed often enough is the economic impact of getting the new network up and running, and the considerable benefits in jobs and economic growth that we could bring to bear as a result.

I am sure that members of the committee need no reminding that creative industries in general, and digital media in particular, are a key sector and a priority part of the Scottish economy. Digital audiovisual content, whether for entertainment or for information, will be one of the defining industries of this century. It is right to talk about the costs of the network and how we fund it, but we must be clear about seeing that as an investment in a key part of our economy—a real stimulus package, if you like, that will bring enormous benefits on that front. I know that today we will talk about the cultural and democratic benefits of the Scottish digital network—and I am keen to do so—but I would also like to focus on the significant economic benefits.

The Convener

Thank you for that opening statement, Mr Jenkins. I hope that we will cover many of the points that you made in our questioning. First, I will ask about governance. You made key recommendations about good governance for the new network—that is important—including the radical suggestion that appointments should not be made by ministers, but agreed by a committee of the Parliament. Why is that important? It would be a very different way of making a public appointment and is not something that has happened before. Why is that important and what improvements would that make to the governance of the network?

Blair Jenkins

That was a suggestion that we put out there, rather than a firm recommendation, but there is something in it that is worth thinking about. Without going into particular appointments or naming names, there have been times when appointments have been made at UK level to significant broadcasting positions when there was perhaps an underlying hint that a degree of political consideration might have been applied—if I can put it that way.

There could be a distinctively Scottish way of approaching this, which would be to say that the Parliament is quite rightly the custodian of the public interest. If I were applying for such a position at any point in the future, I would feel it entirely natural and appropriate to come and talk to a committee of the Parliament—perhaps this committee, who knows? It seems a distinctively Scottish way of coming at things to say that such appointments should be approved by a committee of the Parliament, rather than necessarily by ministers. It would provide that extra layer of security. We are pretty good in the UK at coming up with governance models for broadcasting and keeping broadcasters at arm’s length from Government and so on, but there would be an extra layer of accountability in having parliamentary appointments.

Would that ensure that the public would take a little more interest and have a little more confidence in the new network, because they would be able to see from the start who would be responsible and accountable for the new network?

Blair Jenkins

One would hope that that might be part of the impact. To be honest, I think that we will have very little difficulty in getting pretty wide public interest and engagement in the process of setting up the SDN as we get closer to that point. For the first time ever, we will have a distinctively Scottish broadcaster—a Scottish national broadcaster, if you like. I have said previously that if broadcasting had been invented this week, there would not even be a discussion about this—we would be building in a dedicated Scottish public service broadcaster from the start. In a sense, what we are trying to do now is retrofit the right kind of broadcasting to the evolving UK, given how it is changing culturally, politically and structurally. You are right that there would be a benefit and I am sure that there will be a high degree of public engagement on what the new network could and should be.

How confident are you that the SDN will receive a channel on Freeview, satellite and cable?

Blair Jenkins

The key to that is its being designated as a public service broadcaster. If the new service is designated as a PSB, it is guaranteed carriage on all the main platforms. That is one of the important reasons why it ought to be designated as a PSB, which, if it is set up in the way that we are talking about, is to some extent a formality. No one at the Office of Communications, the Department for Culture, Media and Sport or anywhere else has suggested to me that if we get the SDN up and running it will not receive that status, which guarantees prominent carriage on Freeview, satellite and cable. It is important that it guarantees carriage with a high degree of prominence, which might be what you will ask me about next. Members might or might not be aware that, in Wales, S4C gets position 4—button 4, if you like—and page 104 on Freeview and satellite. I very much hope that the SDN would get an equivalent degree of prominence. It might not be in position 4, because Channel 4 is in that position in Scotland, but something like channel 6 in Scotland would be appropriate.

Kenneth Gibson

You have partly answered my second question. I was going to ask how certain you are that the SDN will be classed as a public service broadcaster.

On page 17 of the report, only one paragraph is dedicated to the impact on other media in Scotland. Will you expand a bit on what you think that the impact might be?

Blair Jenkins

We spent quite a lot of time talking about the consequences for other media if the new network were to pursue commercial revenue. That is quite an important point. I have no doubt that the SDN would attract significant audiences, which means that it would take audiences away from other players, such as the BBC, Channel 4, STV and the other broadcasters. That is to be expected with any new arrival.

We spent quite a lot of time talking to media operators about the potential consequences for existing commercial media in Scotland if the new body were to pursue advertising revenue. If there is such a thing as unanimity in Scottish media, we found it, because the one thing that everyone said to us was that a new entity that had any element of public funding and was also pursuing commercial revenues would have a serious and negative impact on the Scottish media ecology.

Publicly, as would be expected, existing commercial players tend to be quite optimistic and talk up the prospects for their business. Privately, however, many are quite gloomy about the prospects for their business. It was not all that unusual for us to be told that any new entity that was pursuing advertising revenue could represent the tipping point, in a negative sense, for some of the existing media in Scotland.

Kenneth Gibson

Even if the SDN does not pursue advertising revenue, it would still have an impact, as it will take audience share. Aside from the pound, shilling and pence issues, do you think that the existence of the SDN might encourage the other media entities to be more Scottish in terms of their outlook, content and production processes, or might the SDN be seen as the Scottish channel, which might have a slightly negative effect on the Scottish outlook and content of the other channels? I do not think that that would be the case, but I would like to hear your professional opinion.

Blair Jenkins

That is an interesting question. To some extent, as the situation is untested, my answer will be based on speculation.

I think that the situation would play out differently with different broadcasters. I have no doubt that the BBC would step up its Scottish production. Whenever a new competitor arrives in a bit of territory that it is operating on, it becomes extremely competitive. The BBC moved into breakfast television only when a commercial breakfast television operator came along—that was back when I was working for the BBC. I believe that the BBC would try even harder to demonstrate its commitment to Scottish output. I would expect to see a ramping up of the volume and range of Scottish productions on the BBC so that the BBC was not positioned as being somehow less Scottish because of the existence of the Scottish digital network.

With regard to the commercial broadcasters, where we see a greater or lesser degree of success in terms of getting Scottish content into the schedules, I think that they might feel a reduced sense of obligation. Creatively, channels such as Channel 4 would still commission quite a lot of production out of Scotland—I do not see there being any great difference in that regard. As we know, ITV commissions virtually nothing out of Scotland at the moment, and I suspect that that is likely to continue to be the case.

You have given us a breakdown of how the figure of £75 million for the cost of the Scottish digital network was arrived at. Could you expand on the thinking behind that figure?

Blair Jenkins

Rather than give you a detailed analysis of the costs, which I would be quite happy to do, I will answer your question a different way.

When we did the original cost analysis, my colleagues and I discussed what a typical schedule of programmes might be and then multiplied that through a year. This time—because it is quite useful to validate or externally reference your assumptions—I went to the Ofcom figures for what Scottish broadcasters currently spend on productions. I think that those are the numbers that you have been looking at. If you use those numbers when you are thinking about the way in which the Scottish digital network might operate, you can easily come to a ballpark figure for what the cost of output might be.

We have always said that the network would probably aim for four hours of original production per day. The model that we constructed involved an hour of news, an hour of current affairs and two hours of other things such as documentaries, dramas and arts programmes, which tend to be more expensive. By their nature, such things can be cut in lots of different ways, but as a working figure, the figure is pretty good.

10:15

Ken Macintosh

When the crucial issue of funding was discussed in the Parliament, we skirted around it because there was a bit of disagreement about the source of the funding. I noticed that the section of the Scottish digital network panel’s report on funding states:

“It is clear from recent developments that the television licence fee is now regarded across the political spectrum as the best source of funding for public service broadcasting in general”.

Why is that the case? As you know, the BBC is very worried about any top-slicing of the licence fee because, apart from anything else, that undermines the licence fee. The BBC is a broadcaster and people are willing to pay the licence fee because the BBC is clearly the evidence that it has been paid. The more the licence fee is used for other purposes—and potentially less popular purposes—the more the case for it is weakened. I was not sure about that initial statement.

Blair Jenkins

That statement reflected the fact that the previous United Kingdom Labour Government identified the licence fee as the source for funding the continuation of regional news on ITV, and it proposed to use quite a sizeable chunk of the licence fee for that purpose. However, that proposal was interrupted by the general election. When the chairman of the BBC trust spoke about the BBC licence fee, the then secretary of state quite sharply reminded him that it is not the BBC licence fee; rather, it is the television licence fee, which has historically been used for other purposes. As some people know, it has part funded the Welsh language service S4C for 30 years, and it will fully fund the Welsh language channel. That is an interesting development.

You referred to

“the best source of funding”

as opposed to one of many options.

Blair Jenkins

As you will know from your background, one of the reasons why the licence fee has always looked like the best way of funding public service broadcasting is that it has been kept at arm’s length from direct running opportunities and political interference in funding levels. Long-term settlements with guaranteed levels of funding that are not part of general public expenditure have been seen as a key part of maintaining independence from the political framework.

It seemed to us that a settled position had been reached with the decisions to fully fund S4C from the licence fee and to devote a sizeable sum of money to the local television project around the UK as a start-up lump sum and a continuing contribution to the costs of local TV. We seem to be coming to the view in this country that that is how we should fund public service broadcasting, and that is why we ended up with that view.

Ken Macintosh

I want to explore the arrangements with S4C. What is your understanding of how that arrangement was reached and of why no similar arrangement has been reached here, given that we are already talking about a Scottish digital network? We have funding for MG Alba; why are we now going in two different directions?

Blair Jenkins

I was not privy to the discussions that took place in the autumn. Like everybody else, I was interested in and a little surprised to see how quickly the deal was put together, as was S4C, which was not in the room when the deal was done. I spoke to its chairman not long after that. It would be fair to say that he was still somewhat surprised then.

I am not straying too much away from the subject in hand by saying that it can be seen that a great deal of effort was focused in a short period of time on tackling the deficit in the public finances, and things were done rather quickly. A lot of the detail of how S4C’s relationship with the BBC will work is pretty unclear and my informal discussions suggest that there is uncertainty within S4C and the BBC about exactly how it will work in practice. However, I am sure that they will get there.

Ken Macintosh

Finally, did you look at other possible sources of funding? The most obvious to my mind is to take a mixed approach. The report has a big section on why the sector is worried about the mixed approach and using advertising revenues. Perhaps another idea would be to ask for a contribution from either or both the Scottish and UK Governments. The Scottish Government funds MG Alba. I can imagine approaching the UK Government and being told to ask for a contribution from the Scottish Government.

Blair Jenkins

We gave it some thought and it seemed to the panel that, as far ahead as it is sensible to look, the pressures on financing public services and the public sector will be very severe. As you know, I would be the very first person to argue and fight for more funding for broadcasting but, in the current climate, we are struggling to afford what we would like to have in health, education, housing and transport. Public broadcasting gets an annual sum of £3.6 billion so it seemed that that was where we should look, rather than compete with other public services.

Christina McKelvie (Central Scotland) (SNP)

I will stay with that point. In your opening statement, you mentioned economic benefits and I am interested in looking at the publicly funded model and the commercial model. What would be the impact of those models on jobs and income? Could you add a wee bit about your disappointment that it is still the case that only 2 per cent of the licence fee is spent in Scotland and how that ties into the choice of funding model?

Blair Jenkins

I think that I am right in saying that it is not that 2 per cent of the licence fee is spent in Scotland. We said that to fund the SDN would require 2 per cent of the current licence fee income. I think that the BBC probably spends a bit more than that, although I do not have the number to hand.

It is 4 per cent.

Blair Jenkins

Yes, it is a higher number.

In terms of the impact of the different funding models, the one thing that everyone was clear about was that commercial funding would mean taking revenue away from existing players rather than bringing new revenues into the market. We might come on to talk about this later, but in parallel with our work Nicholas Shott was leading a UK-level review into the commercial viability of local television. As we say in our report, that review came up with a figure of £20 million in advertising revenue as the likely total to come from local TV in the UK, which is reaching 11 million viewers in its initial phase. The sums are not difficult. If £20 million is how much can be raised by targeting 11 million viewers, targeting 5 million viewers will raise about half of that.

In his report, Nicholas Shott wisely did not go into the issue of where the money would come from. It is pretty clear that everyone who was spoken to said the same thing, which was that, although it is much more dissipated and fragmented at the UK level, the money would come from existing media; it would not be new revenue coming into the market. That is what we have to consider.

In the way that we have outlined and in the way that the Parliament has supported it, and as the independent sector has said to us, the digital network would be a game changer in Scotland. It would transform the Scottish creative economy. It is a once-in-a-lifetime opportunity to make that kind of impact.

Do you have any examples of how the digital economy would be a game changer for the Scottish economy?

Blair Jenkins

I have quite a few. We quoted Channel 4, which is very enthusiastic about the idea. For example, if there are new Scottish writers that Channel 4 wants to help develop or to work with, there is the notion of co-funding drama. Drama is the most expensive part of broadcasting. It can be done at a lower cost than the current average, but decent drama still comes in pretty expensive, so it becomes much more possible if it is done in partnership. Nowadays, all the broadcasters are looking to do things in partnership. I see the digital network working in partnership with the likes of Channel 4 and BBC Alba, and with broadcasters such as RTE and other European broadcasters, to collectively fund programming that would be difficult to fund on a stand-alone basis.

Wales provides a parallel. The existence of S4C over so many years has financially underpinned the Welsh production sector, to the point where there are two independent Welsh production companies that are still indigenous and have not been taken over—they were consolidators, rather than consolidated, when the independent sector went through the frenzy of consolidation. Those two companies—Tinopolis and Boomerang—are now substantial production companies, bigger than any stand-alone independent production company in Scotland. That is partly due to the stimulus and underpinning that S4C has provided.

Christina McKelvie

You mentioned the Shott review, which found that local television could be commercially viable in the long term with a low-cost model based on broadband distribution. The review did not state what it meant by “long term”. What is your opinion on what it meant? What would the timescale be?

Blair Jenkins

I think that the review imagined that local television would develop in a phased and staggered way. There would be a first wave of 10 to 12 local stations, which would get a certain amount of public support for their set-up costs in their initial few years. Largely, those stations would be focused on big cities—probably the 10 or 12 biggest cities in the UK, because it is a commercial model, although the review left a bit of room for manoeuvre.

The review believed that, subsequently, different areas around the UK, including in Scotland, would come forward at different times with television services. With broadband, start-up costs are much lower than is the case when transmitters and traditional broadcasting distribution methods are involved. I cannot remember the numbers and the date, but the review hoped that, eventually, there could be 50 or 60 stations—at one point, there was mention of 80—around the UK, most of them on broadband.

I am sure that from time to time the committee talks to the Scottish Local Television Federation, which takes the view that there could be as many as 16 services in Scotland. That is a challenging view, but the federation is pretty clear and sure about it. In one way or another, there will probably be dozens of local services around the UK on broadband, but probably only a core of 10 or 12 broadcasting traditionally, on Freeview.

In your report, you say that the Scottish digital network “would reinvigorate democracy”. As politicians, we are quite interested in reinvigorating democracy. How would the network do that?

Blair Jenkins

Politicians are marvellous people, but they benefit from a high level of scrutiny. As a programme maker, I have wrestled for years with the issue of how we can engage people more in the democratic process and get them more interested in politics by coming up with programme types and formats that would stimulate greater involvement.

I probably speak for many people in and around broadcasting when I say that they are pretty disappointed with how broadcasting has responded to devolution. Any changes that have been made in the past 10 years have been pretty marginal. I was involved with one of them—the introduction of a 20-minute “Newsnight Scotland”. That was better than nothing, but it was not a substantial change, given the nature of the change that has taken place and how much meatier and more substantial the agenda here has become. You guys deal with stuff day to day, but that has not been reflected in broadcasting.

I will give one example that is highly counterintuitive. As we moved into the setting up of the Parliament and the devolution age, both main Scottish broadcasters transmitted audience discussion programmes, which are an important form of engagement; “Question Time” is a great programme. There used to be “Words with Wark” on BBC Scotland and “Scottish Questions”, which became “Scottish Assembly”, on STV. Those were lively discussion and debate programmes that got people involved. With the technology that is now at our disposal, which is better than the technology that we had 10 years ago, we could make such programmes even more participatory, interactive and so on, but we do not have them on television. It seems to me slightly odd that, now that we have the democratic infrastructure that requires programmes of that kind, we do not have the programmes.

That is linked, in part, to another issue that I have raised previously: the structure of the broadcasting arrangements in Scotland. For different reasons, both BBC Scotland and STV find it pretty hard to opt out of their respective network schedules. I do not deny that some very good programmes are being made, but there are not enough of them, and that is one of the arguments in favour of creating something new that does not have to make such compromises and has a pretty clear sense of its remit.

10:30

Alasdair Allan (Western Isles) (SNP)

One issue that is of interest to the committee, not least because we do not fully understand it, is the expected method of delivery for the new network. Have you considered internet protocol television as a means of delivery and, if so, to what extent?

Blair Jenkins

Absolutely. I should point out, though, that there are different views in the industry on how quickly IPTV will become mainstream. One view is that, over time, it might become the sole method of distribution. However, there is no agreement about how quickly that will happen. I come down slightly on the cautious side of the argument; I certainly do not think that it will happen within the next five to 10 years and I think that traditional broadcast distribution will still be there. Nevertheless, IPTV is a very important method of distribution and more and more content will be consumed by that means.

One development in this area is, of course, YouView, which involves the BBC, BT and other partners and which, despite suggestions in the trade press that it might be slightly stalled or delayed, is intended to come on air later this year. It is fantastically interesting in the way it will allow people to move seamlessly from traditional broadcast material to material that is delivered over the internet to the TVs in their living rooms or wherever without the joins showing, and the new service’s seamless technology-free introduction of IPTV will, I think, make it more mainstream.

Another great thing about IPTV is that it has no capacity constraints or limits of the kind that we have become used to, which means that it will be possible to put anything and everything out there. However, we should, like Nicholas Shott, be slightly cautious about how quickly we can get to the point where IPTV is a ubiquitous and absolutely satisfactory method of distribution for everyone.

You mentioned some of the cultural shift that might be necessary. Are there any regulatory issues that might arise?

Blair Jenkins

Do you mean from the move to IPTV?

Yes.

Blair Jenkins

Yes, there are. In the UK, we have pretty clear regulations that apply to mainstream broadcasting, including those governing the watershed, what is appropriate at different times of the day and so on. A quite active debate has begun over whether the same considerations can—or should—be applied to broadband on-demand services and whether it is, in fact, possible to have the same kind of regulatory structure and framework that we have had for traditional broadcasting. That debate is going to become important over the next couple of years.

Alasdair Allan

There has been some media discussion about what has been said about BBC Alba—and what it meant—and you have provided some clarification in that regard this morning. What is your understanding of the debate over whether BBC Alba’s programming should form part of a new network?

Blair Jenkins

That is an interesting question. In reviewing the possible options and funding models for setting up a new Scottish digital network we took the view that we would be negligent if we did not take account of Gaelic language programming. If you are trying to envisage and describe a new service that is intended to fully reflect Scottish culture, history and heritage and the different strands of our national life, you must realise that Gaelic has to form a part of all that. Of course, given that a publicly funded Gaelic language network already exists, one has to ask whether there are opportunities for synergy or collaboration and how far such an approach can go. There would, in any case, be a high degree of synergy and collaboration between the two networks if they were separate entities, but we felt that it was worth raising for discussion whether BBC Alba’s Gaelic language programmes might find a natural home in the Scottish digital network.

What we said—which I think is the right way of looking at it—is that there will be a number of issues in that regard that all deserve a lot of detailed consideration beyond what we did in the three and a half months or so of the lifespan of the Scottish digital network panel. We highlighted the question whether BBC Alba’s Gaelic language programmes should be part of an SDN as an issue that ought to be further explored. There may, in the end, be half a dozen good reasons why that would not and should not work. However, the reaction that I have had from people in the Gaelic community and outside it is that they are glad that we have opened up the issue for debate and discussion.

There is a perfectly valid debate to be had about the issue. However, my instinct is that if that were to shape up as an interesting idea, it could only ever be done by invitation rather than by instruction. Gaelic language speakers and supporters would have to be satisfied that that was the best deal and option for them. At the moment, when the only show in town is BBC Alba, they would be absolutely right to say “Well, we’ll stick where we are unless and until something better comes along.”

Alasdair Allan

Those comments will be very welcome. What instinctively perhaps provoked some of the reaction was the issue of scheduling. I do not know whether you have any insight into that. People were possibly thinking back to STV’s rather grudging use of Gaelic television programmes at two in the morning. Is it possible to devise a schedule that would make possible the union of BBC Alba’s Gaelic language programmes and the SDN?

Blair Jenkins

Yes. To be honest, I am interested in your reference to the media reaction to that possible integration. Funnily enough, from my point of view, though I may be too central-belt focused, that notion or suggestion was picked up less in the media and there was much less discussion of it in any of the broadcasting or press things that I did. I had thought that it would trigger more of a debate.

However, I think that Alasdair Allan has hit on the key point. Gaelic is an extremely bad fit into commercial television, because it is really putting square pegs into round holes. The Gaelic language does not sit easily in a commercial schedule. What was found over the years, and why the funding of Gaelic language programmes started, was that for perfectly valid reasons it became increasingly difficult for the commercial licenses—STV and Grampian, I suppose—to find decent slots for Gaelic programmes. It was less of an issue for the BBC, although it was still something of an issue for it. However, it was a particular problem for the commercial broadcasters.

Knowing most of the characters involved and having a lot of friends and connections in Gaelic broadcasting, I absolutely understand why the option of a dedicated channel was pursued. I also understand that that was a long, hard fight and that everyone was pretty happy when that fight was won. If our idea were to have any kind of traction, guarantees would have to be built in about the scheduling of Gaelic programmes. If you were going in to make that deal from an MG Alba perspective, that is the first thing that you would look for. A public service broadcaster is not trying to maximise its audiences all the time and is not forever mindful of the need to bring in advertising revenue, particularly in peak-time slots. Where you do not have such pressures, it ought to be much easier to find a proper means of accommodating Gaelic. However, if nothing else, there are things there that are worth thinking about and exploring.

Claire Baker (Mid Scotland and Fife) (Lab)

Christina McKelvie picked up on questions about the possible economic advantages of an SDN. I think that you covered quite a lot of areas in relation to that. Do we have the skills base in Scotland to respond to an SDN? What kind of partnerships would be needed to ensure the creation of the projected thousands of important new jobs? Do we have the capacity at the moment to respond to the challenge of creating such jobs? If not, what needs to be done to build such capacity?

Blair Jenkins

That is an interesting question. We do have the capacity. For instance, the Scottish independent production sector has found itself to be capable of coping with the expansion in BBC network production, which is one of the things that has happened over the past few years as a result of the broadcasting commission and the attention that has been given to the issues by this Parliament, I should say. If you talk to the production sector in Scotland and, indeed, to the broadcasters, they would say that the production sector is capable of significantly expanding and that it could cope with quite a substantial increase in activity, if I can put it that way. There is quite a lot of underutilisation of people and resources in the sector in Scotland at the moment, so I am pretty confident that it can expand.

I have been in this industry for a reasonably long time, and I know that an awful lot of people, for perfectly sensible and valid reasons, relocated to other parts of the UK because, to be frank, that was where the broadcasting money was and where the interesting programmes could be made. Certainly, there are people of my acquaintance who would love the chance to come back and live and work in Scotland and make here the kind of programmes that they had to move away to make.

I do not want to gloss over the fact that, without going into too much detail, there are particular craft skills and cross-media skills in which the likes of Skillset would have to get involved through substantial training programmes. That is partly what the money should fund. At the moment, a lot of the training in the industry is done by the BBC. Although that training is very good, there is scope for more and better training for people in the industry.

Elizabeth Smith (Mid Scotland and Fife) (Con)

You made an interesting point about the fact that, post devolution, the reaction of the industry has not been what you would have expected. You said that that has been because it is difficult for the BBC and STV to get beyond scheduling constraints. Is that the only reason, or are there other reasons?

Blair Jenkins

There are other reasons—that is a fair point. It is like the point that I made about Gaelic. Serious programming, in general, has disappeared from the ITV schedules—I include STV in that. Many people would say that that shows a lack of ambition or too much of a commercial focus; the people who work in those companies would say that there is nothing else they can do. At UK level, there is no doubt that commercial pressures have played a part in “World in Action” and “The South Bank Show” no longer being shown on ITV. The ITV system has found it impossible to sustain the programmes that all of us would regard as having been hugely important in our younger years, in terms of our learning about the world and culture. Arguably, the burden of that content has fallen quite heavily on the BBC, which is one of the reasons why BBC4 came along.

There is always an expectation that, to justify the licence fee, the BBC will achieve certain audience levels. That is partly the explanation for why there is not much current affairs programming, for instance, at peak times in the BBC schedules. Current affairs programmes tend to be pushed to the margins of the schedules partly because, even in the BBC, where audience figures do not drive revenue, there is a feeling that certain audience levels must be achieved in order to justify the public support.

Elizabeth Smith

Do you see it as a structural issue rather than a cultural one that, for one reason or another, the companies are not picking up Scottish politics or current affairs? Are they not particularly interested, or do they feel that there is no relevant demand for such programmes?

Blair Jenkins

It is both. They feel that such subjects do not achieve the audience level that they think they are required to deliver, especially at peak times. There was a period—I do not know whether we are coming out of it—when there was almost a national switching off from politics, if I can put it that way. That infected large parts of the media, and broadcasting was not immune to that. I return to the point that I made earlier. One of the most disappointing things in the post-devolution era—if that is the correct way in which to describe where we are now—is the fact that there have been no imaginative editorial responses to the new arrangements and the new level of debate in Scotland.

Are you confident that the new set-up could change that?

Blair Jenkins

I would write that in as absolutely the first thing in the remit.

Ken Macintosh

I have a supplementary question about where we go next. It probably comes back to costs. A deal has been done regarding the licence fee settlement, although I do not think that it has been totally signed off. I am trying to work out whether the whole network depends on the licence fee being top-sliced. The UK Government does not seem to be particularly enamoured of the proposed arrangement. What do you suggest we do? Where does the solution to that lie?

Blair Jenkins

We are now moving firmly into the political arena. Do I dare to predict what might happen next? Let me think.

I have spoken a lot about this over the past couple of years, not just in Scotland but around the UK and in other parts of Europe as well, and there has been a lot of interest in the work that we have done. No one in any branch of the Government has said to me, “That’s a really rotten idea”. Everyone has said that it is a good idea and they understand the case that we are making. The only issue has been the challenge of funding.

10:45

I have seen the text of the letter on the licence fee and it looks like there is a pretty firm guarantee that nothing else will be demanded of the licence fee until 2017. We have suggested that, if it should prove to be the case that the licence fee is not available and there is a gap to be bridged, a case could well be made for using part of the money that will be raised from the spectrum auction, depending on how quickly things move, which could be over two, three or four years—it is hard to say. As I am sure members know, a benefit of digital switchover is that there is more efficient use of spectrum for broadcasting, which frees up lots of bandwidth for other uses, so early next year the Office of Communications will begin to auction off the freed spectrum. We can never predict how much money an auction will raise, but a similar auction of bandwidth in Germany last year raised about £4 billion. If there is such a windfall in the United Kingdom, a case could be made for using part of the money to get the network up and running until the licence fee becomes available again.

Perhaps because of everything that has happened during the past year or two, I meet very few people who have a fundamental objection to the licence fee being used for the Scottish digital network—I have not met anyone in that category recently. People think that it is a valid thing to do. That is an important point. The only issue has been the licence fee not being available until 2017. I will be an interested spectator as the dialogue proceeds among and within the parties in their Edinburgh and Westminster manifestations.

Ken Macintosh

Are there thoughts about a gradualist approach to the issue? I do not know whether we should start with the assumption that no money will be available until 2017. However, if we start with that assumption, are other options open to us? The issue is being driven in Scotland, but it feels as though we are looking elsewhere for funding. It is politically difficult to argue that we want a Scottish broadcast network but we want someone else to pay for it. We can make a more convincing argument if we are willing to put some money up ourselves—in other words, if the Scottish Government or some other source closer to home is willing to put money up. Has the idea been considered or pursued?

Blair Jenkins

When the Scottish Broadcasting Commission reported, we were fairly neutral on the matter. We thought that a publicly funded model looked like the right model, for all the reasons that we discussed at the time and, to some extent, repeated in the panel’s report. I have no philosophical difficulty with funding coming from another source, but in reality that looks like an awfully difficult thing to achieve in the current context.

I slightly take issue with the suggestion that the funding would be coming from elsewhere—

Because we all pay for it—

Blair Jenkins

Yes. The licence fee is a UK resource. That is why the precedent of S4C is so interesting. There is no suggestion that the fact that S4C will be fully funded from the licence fee in any way reduces the BBC’s commitments and intentions in relation to audiences in Wales; the BBC’s commitments and intentions in that regard remain the same. Public money goes into local television, which will have a differential presence and impact around the UK, and there is no suggestion that that is somehow unfair. We take the position that we all pay into a big pot of money and then decide what is the best public use of the money. The funding of the Scottish digital network is a perfectly legitimate use for the licence fee. As I said, I encounter less and less resistance to that notion. However, timing is an issue that must be addressed.

Kenneth Gibson

Scotland has 9 per cent of the UK’s population, and 4 per cent of the licence fee is spent here, so surely if an additional 2 per cent were spent here, the BBC would still be able to use a significant amount of Scottish taxpayers’ money to help to fund the entire UK network.

It would be difficult to sell to the Scottish public the idea that additional money should come out of the Scottish budget to help to fund the network, as Kenneth Macintosh seems to be suggesting, when the money can surely come out of the licence fee, as has been suggested.

Blair Jenkins

I have never taken the view that there should be an absolute match between the amount of licence fee money that is raised in Scotland and the amount that the BBC spends in Scotland, because we benefit from things that are UK wide.

I am not disagreeing with that, because there has to be central funding as long as the BBC remains a UK organisation in its current form. However, there is still room for manoeuvre.

Blair Jenkins

In the end, everything is a negotiation. For a long time, the BBC said that every pound was a prisoner, that it could not afford to lose any of the licence fee because it needed it all and it was uniquely the beneficiary of that form of income. Now, however, a deal has been done to take a substantial part of the licence fee and use it for other purposes. The BBC, rightly, has seen that as being a good deal for it. The director general, Mark Thompson has said that he thinks that he can deliver not only the 16 per cent saving that the comprehensive spending review requires him to deliver over the next four years, but a 20 per cent saving, with the additional 4 per cent being available to be used for other purposes.

There is rattle room within the licence fee to achieve the sum that is required for the Scottish digital network. As we say in our report, that sum is quite modest when compared to the situation in other European regions.

I am not at all glib or complacent about the need to ensure that the BBC is not damaged. That is important. It is important that we have a keener sense of what we need the BBC to do—and what we need it to do extremely well. That is a good debate to have from the point of view of ensuring that full and proper funds are made available. My view is that that still leaves sufficient sums of money to fund the Scottish digital network.

Michael Grade, who has run most parts of British broadcasting at one time or another—he has certainly run ITV, Channel 4 and the BBC—recently said that he thought that Channel 4 could be fully funded out of the licence fee. I think that that would be a step too far—Channel 4 currently spends around £550 million and I do not see the BBC absorbing that kind of hit. However, I think that there is scope to have the BBC continue to be as strong, good and important as it is now while funding the Scottish digital network from the licence fee.

Ken Macintosh

In the light of Mr Gibson's anti-BBC remarks, I should clarify that what we are doing is trying to get the network off the ground. I am a bit worried that we are in a period in which we might have to wait. There might be other avenues and opportunities open to us.

I never made any anti-BBC comments. That is total nonsense.

The Convener

I do not want this meeting to degenerate into an argument between two committee members. We have had a constructive session with Mr Jenkins this morning.

Mr Jenkins, I thank you for your attendance and for the work that you have been doing in this area.

10:53 Meeting suspended.

11:06 On resuming—