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As I said, I am no expert, but looking at it from the point of view of trying to get sites developed, I can see that that is another factor that is making it difficult to release new land and to get maximum capacity out of existing sites.
What advice is available to committees? At the end of the day, we may get the blame if we get it wrong. Ultimately, it would be for the rules to be challenged in the courts.
If they do not do that—and CABx are saying that they cannot do that because it would breach confidentiality—the council has said that they will not get any new moneys or be able to access the money they get just now.
That means that we need to be prepared to invest money in, and support, art for the sake of art.If we are to get the process correct nationally, we must first ensure that we get it right locally.
There seems to be an intertwining of class exemptions and ministerial certificates. This is where we get down to the nitty-gritty: when people want information that they may not get.
To ask the Scottish Executive, further to the answer to question S1W-12300 by Mr Jim Wallace on 26 January 2001, when the Minister for Justice will reply to my letter dated 10 November 2000 regarding Mrs S Murdoch.
Did the Scottish Arts Council press for the appointment of a new financial director? Did the urge to merge the ballet and opera companies get in the way of such an appointment?